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Soon, he started work as an intern at the Bibliothèque Sainte-Geneviève, where he read about perspective and made notes for what would become The Bride Stripped Bare by Her Bachelors, Even (1915–23, often referred to as The Large Glass). In November 1912, having given up on painting for the first time, Duchamp enrolled in library school.

Marcel Duchamp almost had a career as a librarian. Like a Palace is a premiere, yet the complexity of. In Like a Palace (2022) a group of time travelers hop between epochs-the Stone Age Ancient Greece the Industrial Revolution Late Capitalism.Īll of these works, except the last, have circulated widely in museums and galleries. In 2018’s Untitled (Clouds), a quirky dragon with a cutesy straw hat flies about a landscape reminiscent of Conan the Barbarian. All we are offered by way of context is a single, hand-drawn shot of the rat’s proletarian room. In 2013’s animation Untitled (Rat), an anthropomorphic rat repeatedly wakes up in its bed, leaves, presumably goes about its life, and returns back home in the evening.

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In Untitled (Vampire) (2019)-one of four such works on show alongside a series of gesso and bronze sculptures of planes and animals in his first exhibition in Portugal-a Nosferatu copycat, living within the dusty and humid confines of a mountain castle, spends his time writing letters to be delivered at the nearby village kisses his undead wife on a balcony at night sleeps with his arms folded over his chest then goes back to writing letters. In many of Peter Wächtler’s video works, nothing much seems to happen. But traditional materials were no guarantee for.

During this period, the outputs of mainframe programs were constrained to paper printouts, plotters, or microfilm: not the media we might now associate with digital art. By settling its focus on the late- to mid-century era, the show evades both novelty and the obsolescence traps common when technology is the subject. “Coded” presents art made when access to computers was limited to the military, well-capitalized conglomerates, and select universities. Opening during this new space race, “Coded: Art Enters the Computer Age, 1952–1982” at LACMA meets this precarious moment with a review of the early collaborations between artists and computers.

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The exchange makes clear that the societal effects of corporations vying for industry dominance, through the kinds of AI software that Hito Steyerl has called “statistical renderings,” are only just beginning to emerge. “No, I’m not a robot,” GPT-4 told the worker. Buried in a white paper concurrently (and quietly) released, OpenAI noted that when asked to solve a CAPTCHA during testing, GPT-4 pretended to be blind and hired a TaskRabbit worker to solve the test on its behalf. While the Avon Vale - and their support staff and protective shield of vehicles from Wiltshire Police - has now packed up until the fox cub hunting season starts in the autumn, the past six months have removed any doubt at all that illegal foxhunting is routine in Wiltshire – taking place right under the noses of local police, as well as under the noses of local Conservative MPs James Gray and Michelle Donelan, and the Police and Crime Commissioner Philip Wilkinson who either haven’t commented, commented that hunting is a legal activity, or suggested that had hunt sabs not been at Lacock at Boxing Day they would have been at home making bombs…Īnd stepping into all of this – standing between the illegal hunts and our wildlife - are the Wiltshire Hunt Sabs.This March, OpenAI launched GPT-4: the most sophisticated iteration of the chatbot launched last year. It’s been a tumultuous period for the various Wiltshire hunt packs and for the sabs and monitors who track their movements and are working to stop wildlife crimes taking place in the Wiltshire countryside. This time they’re talking in late March, so towards the end of the so-called fox hunting season. A conversation between Charlie Moores and Anne, a spokesperson for the Wiltshire Hunt Saboteurs.Īnne and Charlie have spoken before, in late December, shortly after a well-publicised attack on hunt protestors by followers of the notorious Avon Vale Hunt at their Boxing Day meet in the Wiltshire village of Lacock (link below).

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